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Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Photographer
Mihai Barabancea
Overriding Sequences
Gomma Photography Grant 2017 Winners

Gomma Photography Grant 2017

Overriding Sequences

Photographer

Mihai Barabancea

Overriding Sequences

13 Oct, 2022

Mihai Barabancea's OVERRIDING SEQUENCE aka The Bible of the Marginals.

About the photographer

Mihai Barabancea

Born in 1983, Mihai Barabancea grew up during the 1990s and was influenced by the artistic atmosphere of the time. In the United Kingdom, a collective of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, connected generally by their age and nationality. A number of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most well-known member of the group is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs gained a divisive reputation image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and enterprising. The group was predominant in the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary. The art world was influenced by a number of trends throughout the 1990s, the divisive, hyper-realistic sculptures of Maurizio Cattelan and the sensitive, conceptual work of Felix Gonzalez-Torres characterised the cultural tone of the era.